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| resume |
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| solo exhibitions |
| |
| 2003 |
June Bateman Gallery, New York, NY (catalogue) |
| |
SUNY Buffalo, Anderson Gallery, Buffalo, NY (catalogue) |
| 2001 |
Rhode Island School of Design, Providence, RI |
| 2000 |
Patricia Sweetow Gallery, San Francisco, CA |
| |
Spheris Gallery of Fine Art, New York, NY |
| |
Bassetti Fine Art Photographs, New Orleans, LA |
| 1999 |
Lenore Gray Gallery, Providence, RI |
| 1998 |
Robert Klein Gallery, Boston, MA |
| |
Krause Gallery, Providence, RI |
| 1997 |
Spheris Gallery, Walpole, NH |
| 1994 |
AS220 Gallery, Providence, RI |
| |
Pierce Street Gallery, Birmingham, MI |
| 1993 |
Linda Wolcott Moore Gallery, San Francisco, CA |
| |
Susan Spiritus Gallery, Costa Mesa, CA |
| 1992 |
David Winton Bell Gallery, Brown University, Providence, RI
(catalogue) |
| 1989 |
Carlo Lamagna Gallery, New York, NY |
| |
Gallery Min, Tokyo, Japan |
| |
Denny Moers & David Frazer: Photographs and Paintings Virginia
Lynch Gallery, Tiverton, RI |
| |
Susan Spiritus Gallery, Newport Beach, CA |
| 1987 |
Emmanuel College, Boston, MA |
| |
The Manipulated Photograph (with John Bloom) Museum of Art,
Rhode Island School of Design, Providence, RI |
| |
Pierce Street Gallery, Birmingham, MI |
| |
Susan Spiritus Gallery, Newport Beach, CA |
| 1986 |
Carlo Lamagna Gallery, New York, NY |
| 1985 |
Equivalents Gallery, Seattle, WA |
| |
Thomas Segal Gallery, Boston, MA |
| |
George Dalsheimer Gallery, Boston, MA |
| |
O.K. Harris Works of Art, New York, NY |
| 1984 |
Pierce Street Gallery, Birmingham, MI |
| |
Center for Creative Photography, University of Arizona, Tucson,
AZ |
| |
Paule Pia Gallery, Antwerp, Belgium |
| 1983 |
Grapestake Gallery, San Francisco, CA |
| |
O.K. Harris Works of Art, New York, NY |
| 1982 |
Manuel Alvarez Bravo Gallery, Mexico City, Mexico |
| |
Maine Photographic Workshop, Rockport, ME |
| |
George Dalsheimer Gallery, Baltimore, MD |
| |
G. Ray Hawkins Gallery, Los Angeles, CA |
| |
Pierce Street Gallery, Birmingham, MI |
| |
Equivalents Gallery, Seattle, WA |
| 1981 |
O.K. Harris Works of Art, New York, NY |
| |
O.K. Harris West, Scottsdale, AZ |
| |
Kathleen Ewing Gallery, Washington, D.C. |
| |
Exposures Gallery, Coral Gables, FL |
| 1980 |
Thomas Segal Gallery, Boston, MA |
| |
Jeb Gallery (with Aaron Siskind), Providence, RI |
| 1979 |
Carl Siembab Gallery, Boston, MA |
| |
O.K. Harris Works of Art, New York, NY |
| 1978 |
Fogg Art Museum, Cambridge, MA |
| |
Anyart Contemporary Arts Center, Providence, RI |
| |
| selected group exhibitions |
| |
| 2006 |
The Contemporary Landscape, Baxter Chang Patri Fine Art, San
Francisco, CA |
| 2005 |
Chazan’s Choice: Gifts of Contemporary Art to the RISD
Museum. RISD Museum of Art, Providence, RI (catalogue) |
| 2004 |
Photography and Place, Museum of Art, RISD Museum of Art,
Providence, RI |
| 2004 |
Objects of Desire, June Bateman Gallery, NY, NY |
| 2003 |
Weston’s Legacy, Portland Museum of Art, Portland ME |
| 2003 |
Aaron Siskind and his Rhode Island Circle, Newport Art Museum,
Newport, RI |
| 2003 |
Five Photographers, Virginia Lynch Gallery, Tiverton, RI |
| 2002 |
Lens Landscapes, Museum of Fine Arts, Boston Ma |
| |
Multiples, Roger Williams University, Bristol, RI |
| 2001 |
Works on Paper: Digital Printmaking at Singer Editions, Davison
Art Center Wesleyan University, Wesleyan, MA |
| |
Landscapes, Virginia Lynch Gallery, Tiverton, RI |
| 2000 |
New Work by Alumni of VSW, Spectrum Gallery, Rochester, NY |
| |
Works from Nature, Virginia Lynch Gallery, Tiverton, RI |
| |
Recent Acqusitions; Inclusive & Diverse, RISD Museum of Art,
Providence, RI |
| |
Something in the Air, Bristol Art Museum, Bristol RI |
| 1999 |
Apropos Robert Creeley, Poetry/Rare Books Collection University
of Buffalo, Buffalo, NY |
| |
Calm and Commotion: Abstract Art from the Permanent Collection Mississippi
Museum of Art, Jackson, MS |
| |
Art Faculty Exhibition, Roger Williams University, Bristol,
RI |
| 1998 |
Works on Paper - Digital Printmaking at Singer Editions, Robert
Klein Gallery, Boston, MA |
| |
Not Just Nudes - the Body as a Point of Departure, Bassetti
Fine Art, New Orleans, LA |
| |
New Directions Festival, Brown University, Providence, RI |
| 1996 |
Smart Art, Bristol Art Museum, Bristol, RI |
| 1995 |
Luz & Tiempo, Coleccion Fotgrafica Formada por Manuel Alvarez
Bravo para la Fundacion Cultural Televisa, A.C., Mexico City,
Mexico D.F. |
| |
Degrees of Abstraction- From Morris Lewis to Robert Mapplethorpe,
(Related Photography Exhibition), Museum of Fine Arts, Boston,
MA |
| |
A View to the Future: Recent Acquisitions, David Winton Bell
Gallery, Brown University, Providence, RI |
| |
Interiors, Susan Spiritus Gallery, Costa Mesa, CA |
| 1994 |
La Matiere, L' Ombre, La Fiction, Bibliotheque Nationale de
France, Paris, France |
| 1993 |
Tenth Anniversary Exhibition, Virginia Lynch Gallery, Tiverton,
RI Seventh Annual Triennial, Fuller Museum of Art, Brockton,
MA |
| 1992 |
New England Biennial, (travelling exhibition), Instituto Chileno
Norteamericano de Cultura, Santiago, Chile |
| |
Rhode Island Photography: Traditions, Expressions & Innovations,
The Newport Art Museum, Newport |
| |
Faculty Exhibition, Salve Regina University, Newport, RI |
| |
New Experiments in Photography, Susan Spiritus Gallery Costa
Mesa, CA |
| 1991 |
New England Biennial, Photographic Resource Center, Boston,
MA; (travelling exhibition, South America) |
| |
The Lost Landscape, Newport Art Museum, Newport, RI |
| 1990 |
Horizons, Museum of Modern Art (Art Advisory Service), New
York, NY |
| |
Rencontres Internationales de la Photographie, Arles, France |
| |
The Technological Muse (Catalogue), Katonah Museum of Art,
Katonah, NY |
| 1989 |
Photography: A Contemporary View, Newport Art Museum, Newport,
RI |
| 1987 |
New England Now: Contemporary Art From Six States (catalogue)
|
| |
DeCordova and Dana Museum of Art, Lincoln, MA; (travelling
exhibition) |
| |
Explorations: Extending The Boundaries of Contemporary Photography,
The Museum of Contemporary Photography, Chicago, IL |
| |
Collector's Choice, Center for the Arts, Vero Beach, FL; Weatherspoon
Art Gallery, Greensboro, NC |
| |
Interior Spaces, Works by Contemporary New England Artists,
Danforth Museum of Art, Framingham, MA |
| |
Photography Within, Addison Gallery of American Art, Phillips
Academy, Andover, MA |
| |
History of Excellence, 20th Anniversary Exhibition, RISCA
Newport Art Museum, Newport, RI |
| |
Two Decades, New England Photography, University of Lowell,
Lowell, MA |
| |
Torino Fotographia '87, Biennale Internazionale, Turin, Italy |
| |
Third Inaugural Exhibition, Carlo Lamagna Gallery, New York,
NY |
| |
Rhode Island State Council on the Arts Fellowship Award Winners:
(travelling exhibition) |
| |
New Photographs: Pushing Perceptions, Italia Gallery, Seattle,
WA |
| |
Architecture as a State of Mind, P.S. 33, Baltimore, MD |
| |
Photo Graphics, G.H. Dalshiemer, Baltimore, MD |
| |
American Photography: A Selection, Welton Beckett and Associates,
Santa Monica, CA |
| |
One of a Kind, S.S.C.&B: Lintas Worldwide, New York, NY |
| 1986 |
Dilbert Memorial Color Photography Award Winners, Photography
West Gallery, Carmel, CA |
| |
Ten Years of Photography Rhode Island State Council of the
Arts Grants, Rhode Island School of Design Museum of Art, Providence,
RI |
| |
Recent Enrichissements ou Dix Photographes pour Demain, Gallerie
de Photographie de la Bibliotheque Nationale, Paris, France |
| 1984 |
Invitational, Galleria Del Caballine, Venice, Italy Some Photographic
Uses of Color, Bell Gallery, Brown University, Providence, RI |
| 1983-84 |
Photography: A Personal Collection, Collection of Richard
Shack, Brevard Center and Museum, Melbourne, FL; (travelling
exhibition) |
| 1983 |
Miller/Plummer Collection of Photography, George Eastman House/International
Museum of Photography, Rochester, NY; (travelling exhibition) |
| |
Art y Imagen, Collection of Manuel Alvarez Bravo, Museo Tamayo,
Mexico City, Mexico |
| 1982 |
Artist Photographers and a Photographer of Art, Thorpe Intermedia
Gallery, Sparkill, NY |
| 1981 |
Baltimore Collects, Baltimore Museum of Art, Baltimore, MD |
| |
Invitational, George Washington University, Washington, DC; |
| |
Travelling to: Goucher College, Tonsom, MD, Boston Museum
of Fine Arts School Gallery, Boston, MA |
| |
Invitational, McNay Art Institute, San Antonio, TX |
| |
A Poet Collects, Southeastern Center for Contemporary. Art,
Winston-Salem, NC |
| |
Tribute to Carl Siembab, Institute of Contemporary Art, Boston,
MA |
| 1980 |
U.S. Eye, National Winter Olympics Show, Lake Placid, NY;
(travelling exhibition) |
| 1978 |
Invitational, Franklin & Marshall College, Lancaster, PA |
| |
Invitational, Providence Civic Center, Providence, RI |
| |
Invitational, Centaur Gallery, Montreal, Canada |
| |
|
| public collections |
| |
|
Addison Gallery of American Art, Andover, MA
AT & T, Piscataway, NJ
Baltimore Museum of Art, Baltimore, MD
Bank of Boston, International Inverstment Art Collection, Boston,
MA
Bell Laboratories, New York, NY
Bibliotheque Nationale, Paris, France
Brookings Institute, Washington, DC
Brown University, David Winton Bell Gallery, Providence, RI
Capitol Group, Los Angeles, CA
Center for Creative Photography, University of Arizona, Tucson,
AZ
Continental Group Inc., Stamford, CT
Crocker Art Museum, Sacramento, CA
Detroit Institute of Art, Detroit, MI
Goldman, Sacks, Inc.
High Museum of Art, Atlanta, Ga
Honolulu Academy of Art, Honolulu, HI
Hughes, Hubbard, & Reed, New York, NY
Intermetro Industries, Wilkes-Barre, PA
Israel Museum, Jerusalem, Israel
Kraft, Inc., Glenview, IL
Lappin, Rosen, Goldberg, Slavet, Levenson & Wekstein, Boston,
MA
Marion Koogler McNay Art Institute, San Antonio, TX
Maslow Collection, New York, NY
Massachusetts Institute of Technology, Cambridge, MA
McDermott, Will & Emery, Chicago, IL
Mississippi Museum of Art, Jackson, MS
Musee Nicephore Niepce, Chalon-Sur-Soane, France
Museum of Art, Rhode Island School of Design, Providence, RI
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
New Orleans Museum of Art, New Orleans, LA
Peat Marwick Main & Co., Providence, RI
Philadelphia Museum of Art, Philadelphia, PA
Progressive Corporation, New York, NY
Providence Public Library Collection, Providence, RI
Prudential Insurance Company of America, Newark, NJ
Readers Digest, New York, NY
Richard Brown Baker Collection, New York, NY
Robert Olden Collection, New York, NY
San Diego Museum of Contemporary Art, La Jolla, CA
Santa Barbara Musem of Art, Santa Barbara, CA
Sheldon Museum of Art, Hains, AR
St. Francis College, Fort Wayne, IN
University of Massachussets Gallery of Art, Amherst, MA |
| |
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| publications |
| |
|
Abatt, Corinne. "Photographer Develops Unusual
Color Technique," Detroit News, September, 1984.
Art Now, Focus, "Collector's Guide to Photography",
December, 1999
Bloom, John. Review of Exhibition, Grapestake Gallery, METRO,
October, 1983
Blindspot No .11,"Silence, Withdrawal and Invention",
Portfolio May 1998
Bundy, Fish. "Landscape and Beyond", Quix Quarterly,
fall 1998
Cortright, Barbara. Review of Exhibition, Scottsdale Daily Progress,
May 8, 1981
Creeley, Robert. "A Foreword", Figments of a Landscape,
Brown University, 1992
Dorsey, John. "Mind's Eye Architecture," Baltimore
Morning Sun, February, 25, 1987
Dunnington, Ann. "Carving Their Niche," Providence
Business News, January 25, 1988
Gizycki, Marcin. "Polska Denny'ego Moersa," Fotografia,
Poland Numer 3/2000
Goldberg, Vicki. "Photographing the Good Stuff," American
Photographer, January, 1987
Grandstreet, vol.15 no.4, "Paranoia", (with the poetry
of Forrest Gander) 1997
Gray, Channing. "Mingled Arts of Painting, Photography,"
Providence Sunday Journal, December 9, 1984
Hakanson, Joy. "Chemical Magic Transforms Photos,"
Detroit News, September 18, 1984
Johnson, Deborah. Essay for Exhibition, Carlo Lamagna Gallery,
New York. October 2, 1986
Joselet, David. "Moers Photos Bend Reality with Grace,"
Boston Ledger, February 16-22, 1979
Klein, Ellen Lee. "Denny Moers," Arts, December, 1986
Klemic, Mary. "He Develops Dreamy Art," The Eccentric,
May 19, 1994
LeFave, Kenneth. "Two Photo Exhibits: Off-beat and Masterful,"
Arizona Daily Star, May 20 1984
McQuaid, Cate. "Moers colors prairie with ominous tones,"
Boston Globe, November 19, 1998
Middendorf, Fran. "Self-Rendering," Providence New
Paper, May 18, 1989
Miller, Marlan. "Maximum Skill Exhibited in Minimalist
Art," Detroit News, September 23, 1984
Miro, Marsha. "Photographer Breaks Nature's Rules,"
Detroit Free Press, May 27, 1994
Miro, Marsha. "A Golden Age for Non-Traditional Art,"
Detroit Free Press, May 16, 1981
Moore, Joanne. "Siskind/Moers Exhibit," (cover article),
Providence New Paper, April, 1980
Morch, Al. "Darkroom Magic Creates Unique Art," San
Francisco Examiner, October 9, 1983
Muchnic, Suzanne. Review of Exhibition, Los Angeles Times, May
21, 1982
Murry, Joan. "A Poetic Beauty," Art Week, October
8, 1983
The New Yorker, Summer Fiction Issue, ill. p. 120, June 22 and
29, 1998
Nicholson, Chuck. "Three Innovators," Art Week, June
4, 1982
O'Reilly, Suzanne. "Denny Moers," Village Voice, October
22, 1986
Pantalone, John. "The Photograph as Painting," Providence
East Side/West Side, April, 1980
Pantalone, John. "Photo Painting," Newport: This Week,
May 10, 1984
Pantalone, John. "Poetic Fagments," Art New England,
July-August, 1989
Pearl, Lesley. "America's Landscapes Meet Artistic and
Chemical Alteration," The Detroit Jewish News, May 20,
1994
Peters, Marsha. "Abstractions of Interiors and Walls,"
Providence Journal, March 30, 1980
Pollack, Steve. "Varied Media Explore Architectural Forms,"
Baltimore Evening Sun,March 5, 1987
Rodriguez, Bill. "Denny Moers' Masterful Monoprints at
the David Winton Bell Gallery," (cover article), Providence
Phoenix, December 3, 1992
Rodriguez, Bill. "Bold Visions", Providence Phoenix,
May 1, 1998
Schaub, Grace. "Denny Moers' Transformations," Photo
Pro Magazine, Sept-Oct, 1991
Smith, Chalon. "Camera Focuses on the Mysterious,"
Los Angeles Times, February, 1987
Thorton, Gene. "In the Arts: Critic's Choices," New
York Times: The Guide May 15, 1983
Van Siclen, Bill. "Showing Off a Quartet of Talented Rhode
Island Artists," Providence Journal, May 21 1989
Van Siclen, Bill. "Painting with Light," Providence
Journal, November 29, 1992
Waldrop, Rosmarie. Essay for Exhibition, Carlo Lamagna Gallery,
New York. November 30, 1989
Waldrop, Rosmarie. "Landscape Overthrown," Avec, No.
3, 1990
Weisser, Tom. "Building Blocks," City Paper, March
25, 1987
Welcher, Marguerite. Review of Exhition: Kathleen Ewing Gallery,
New Art Examiner, May, 1981
Wise, Kelly. "Photography Review," Boston Globe, November
25, 1992
Wise, Kelly. "The Expressive Power of Photography,"
Boston Globe, November 9, 1991
Yost, Barbara. "A Photographer Inspired by Poetry,"
Pheonix Gazette, April 20, 1981
Zimmer, William. "Going Digital With Prints Both Splashy
and Subdued", New York Times, Sunday, April 29, 2001 |
| |
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| books / catalogues / portfolios |
| |
|
AS220. "Building Box Portfolio"; Editioned.
Providence, RI 1997
Fillin-Yeh, Susan. "The Technological Muse," Katonah
Museum of Art, Katonah, NY, 1990
Fundacion Cultural Televisa, A.C., "Luz Y Tiempo,"
Mexico City, Mexico D.F., 1995
Johnson, Deborah J. "The Manipulated Photograph: Works
by John Bloom and Denny Moers," Museum of Art, Rhode Island
School of Design, Providence, RI, 1987
Johnson, Diana. "Figments of a Landscape," David Winton
Bell Gallery, Brown University, Providence, RI, 1992
Licata, Elizabeth, "In the Ultra Silent Light", SUNY
Buffalo, Anderson Gallery, Buffalo, NY 2003
Lemagny, Jean-Claude. "La Materire, L'Ombre, La Fiction,"
Photographie Comtemporaine, Bibliotheque Nationale De France,
Paris, France, 1994
"Denny Moers: Photographic Monoprints," Huntington
press, Detroit, MI, 1982
Rose, Stephen. "Photography: A Personal Collection,"
Brevard Art Center and Museum, Melbourne, FL, 1983
Time-Life Library of Photography. The Print (revised edition),
1981
Singer Digital Studio, "Downed Barn", Iris Print for
Robert Klein Gallery exhibit 1999
Tolnick, Judith E. "Some Photographic Uses of Color,"
David Winton Bell Gallery, Brown University, Providence, RI,
1984
Versaci, Nancy R. "New England Now: Contemporary Art From
Six States," DeCordova and Dana Museum, Lincoln, MA
Williams, Jonathan. "A Poet Collects," Southeastern
Center for Contemporary Art Winston-Salem, NC, 1981 |
| |
|
| book / cd illustrations |
| |
|
2003 Robert Creeley, If I Were Writing This,
New Directions
2002 Denise Levertov, Selected Poems, New Directions
2002 Immanent Visitor: Selected Poems of Jaime Saenz,
University of California Press
2002 POEMS: 1972-1982, Denise Levertov, New Directions
2002 Steal Away / selected and new poems,
C.D. Wright, Copper Canyon Press
2002 Perahia Plays Schumann, Sony Classical
CD
2001 Modest Petrovich Mussorgsky: Pictures at an Exhibition,
Sony Classical CD
2001 Run Through Rock; Poems of Besmilr Brigham, Lost
Roads Press
2000 Human Nature, Toby Olson, New Directions
1999 Life & Death, Robert Creeley, New Directions
1998 Tremble, C.D. Wright, Ecco Press
1997 Resurrection Update, James Galvin, Copper Canyon
1995 Something Cloudy, Something Clear, Tennesee Willams,
New Directions
1994 Deeds of Utmost Kindness, Forrest Gander, Wesleyan
University
1994 Requiem: a Hallucination, Antonio Tabucchi, New
Directions
1994 Echoes, Robert Creeley, New Directions
1994 The Final Martyrs, Shusaku Endo, New Directions
1988 The Stillness of the World Before Bach, Lars Gustafsson,
New Directions
1988 Cultural Anthropology, Carol Ember, Prentice Hall
1987 POEMS 1968-1972, Denise Levertov, New Directions
1987 Cultural Anthropology, Carol Ember, Prentice Hall
1986 Anthropology, Carol Ember, Prentice Hall
1986 The Bright Nails Scattered on the Ground, Allen
Grossman, New Directions
1986 Memory Gardens, Robert Creeley, New Directions
1983 Mirrors, Robert Creeley, New Directions
1981 Windows, Robert Creeley, New Directions
1979 LATER, Robert Creeley, New Directions
1979 Living Space: Poems of the Dutch Fiftiers, New
Directions |
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